Pixellating Project Showcase: Modeling Polyrhythmic Experience: An Introduction to Music Research in the Digital Era
Pixellating is a monthly Digital Humanities (DH) mixer. It is an opportunity for DH scholars and students from across campus to meet colleagues, talk tools, brainstorm ideas and network with others who use digital tools to explore and visualize their research. This month we will be featuring a project showcase with time for a Q&A afterward.
This project showcase will introduce research on polyrhythmic experience in notated European and North-American music composed between 1877 and 1969. A special focus of the presentation will be on digital tools for metadata and music data visualization and the benefits of digital scholarship within and outside of academia. Special guests will include members of the UBC Rhythm Computation and Cognition Lab as well as project collaborator Craig Sapp (CCARH/PHI Stanford University).
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This event is part of the Pixellating Project Showcase speaker series.
About the presenters:
Dr. Ève Poudrier is an Assistant Professor in Music Theory. Her research interests include rhythm and meter theory and analysis, 20th-century music, and music cognition, with a focus on rhythmic complexity and style-specific expertise. She has presented her research at interdisciplinary conferences in North-America, Europe and the United Arab Emirates and published in Music Perception and Empirical Musicology, among others.
Dr. Craig Sapp is an adjunct professor of music at Stanford University and a researcher at the Center for Computer Assisted Research in Humanities/Packard Humanities Institute. He collaborates with Ève Poudrier on the Polyrhythm Project at UBC, and is technical director of the Josquin Research Project and the Tasso in Music Project as well as working with the Fryderyk Chopin Institute in Poland on a digital edition of Chopin's music.
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- Friday, May 14, 2021
- 1:00pm - 2:00pm
- Dr. Ève Poudrier